The compositions resist ornamentation and instead focus on the quiet dialogue between form and void, movement and stillness. Each line becomes a structural gesture; each light, a way of seeing. Through this interplay, “Lines and Light” invites viewers to consider how modernist ideals continue to echo, shifting from rigid function to poetic abstraction. It is both homage and reinterpretation, where the language of Bauhaus is not repeated but reimagined.