In this series, I explore the fragile, shifting nature of dreams, the way they dissolve the moment you try to hold them still. Working entirely in black and white, I strip away color to focus on form, tone, and the deep contrasts that mirror the tension between clarity and obscurity in the dream state. Layered reflections weave through the images, blurring distinctions between what is solid and what is imagined. The multiple planes of reflection become a visual metaphor for how dreams fold in on themselves, how a single moment can splinter into many versions, each equally true and equally unreal. These layered surfaces resist resolution, inviting the viewer to question where reality ends and the subconscious begins. By removing the sharp edges of certainty, the work invites a slow reading, an openness to ambiguity and to the slipperiness of memory and imagination. The photographs are not intended to be fixed narratives but rather shifting, flickering spaces, much like the dreams that inspired them.